The equation of white marble with beauty is not an inherent truth of the universe; it's a dangerous construct that continues to influence white supremacist ideas today.
Do we need to start seeing the classical world in color? (since the sculptures of the Renaissance weren't actually white).
Book Note Valuing the past in the Greco-Roman World — ANCIENT JEW REVIEW
The multicolored beauty of classical sculpture revealed, by Mar Juan, Reporting from Belgium
A New Chapter of Discentes: A Letter from the Editorial Team – Discentes
Virtual Symposium: 20 Years of Gold on Athena
Gods in Color' returns antiquities to their original, colorful grandeur
Podcast Season 1, Episode 9 – Living in a Material World: Jennifer Stager and Technicolour Statues – Peopling the Past
Gods in Color' returns antiquities to their original, colorful grandeur
Gods in Color' returns antiquities to their original, colorful grandeur
Looking for more things Greek and Roman? Links to the historical, contemporary, comic, and more., by shana o'connell
Classics at the Intersections: Race/Ethnicity Teaching Resources
Gods in Color' returns antiquities to their original, colorful grandeur
Assignment #18 Seeing the Classical World in Color.pdf - Assignment #18: Seeing the Classical World in Color Step 1: Read the following article Why We
Primary Sources - WRPR 191 Constructions of Race and Ethnicity in the Classical World (HC) - Research Guides at Tri-College Libraries
Why We Need to Start Seeing the Classical World in Color
